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Showing 61–70 of 104 results

  • 204223_203797956326579_333972_o

    Olga Florensky. Happy Christmas

    £416.67
    Olga Florensky (b. 1960) who works in duo with her artist husband Alexander Florensky is a headliner of numerous exhibitions, key member of the group Mitki. She lives and works in St. Petersburg and Tbilisi. ‘Florenskys’ works are kept in dozens of museums around the world. For over twenty years, they have been making impossible objects and other equally wonderful things. Their objects are incredibly organic coalescences of found objects of various kinds – sometimes ones that have lived at home for a long time, sometimes ones found on the trash heap, sometimes bought at an expensive antiques stores. ….their oeuvre exudes light irony and feeds on the observation of children’s games and wishes, which have made themselves at home in the adults’ heads and have no desire to leave…In their large projects, the Florenskys show objects, paintings, photographs, drawings, silk-screens, blueprints, films (a mix of animation, documentary, and feature films)


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    Olga Florensky. Happy New Year

    £416.67

    Olga Florensky (b. 1960) who works in duo with her artist husband Alexander Florensky is a headliner of numerous exhibitions, key member of the group Mitki. She lives and works in St. Petersburg and Tbilisi. ‘Florenskys’ works are kept in dozens of museums around the world. For over twenty years, they have been making impossible objects and other equally wonderful things. Their objects are incredibly organic coalescences of found objects of various kinds – sometimes ones that have lived at home for a long time, sometimes ones found on the trash heap, sometimes bought at an expensive antiques stores. ….their oeuvre exudes light irony and feeds on the observation of children’s games and wishes, which have made themselves at home in the adults’ heads and have no desire to leave…In their large projects, the Florenskys show objects, paintings, photographs, drawings, silk-screens, blueprints, films (a mix of animation, documentary, and feature films). Her prints are in the collections of the V&A Museum, London



  • 217452_203798202993221_1390717_n

    Olga Florensky. I Love Russia

    £416.67
    Olga Florensky (b. 1960) who works in duo with her artist husband Alexander Florensky is a headliner of numerous exhibitions, key member of the group Mitki. She lives and works in St. Petersburg and Tbilisi. ‘Florenskys’ works are kept in dozens of museums around the world. For over twenty years, they have been making impossible objects and other equally wonderful things. Their objects are incredibly organic coalescences of found objects of various kinds – sometimes ones that have lived at home for a long time, sometimes ones found on the trash heap, sometimes bought at an expensive antiques stores. ….their oeuvre exudes light irony and feeds on the observation of children’s games and wishes, which have made themselves at home in the adults’ heads and have no desire to leave…In their large projects, the Florenskys show objects, paintings, photographs, drawings, silk-screens, blueprints, films (a mix of animation, documentary, and feature films). Her prints are in the collections of the V&A Museum, London


  • 201724_203801159659592_3616239_o

    Olga Florensky. I Love You

    £416.67

    Olga Florensky (b. 1960) who works in duo with her artist husband Alexander Florensky is a headliner of numerous exhibitions, key member of the group Mitki. She lives and works in St. Petersburg and Tbilisi. ‘Florenskys’ works are kept in dozens of museums around the world. For over twenty years, they have been making impossible objects and other equally wonderful things. Their objects are incredibly organic coalescences of found objects of various kinds – sometimes ones that have lived at home for a long time, sometimes ones found on the trash heap, sometimes bought at an expensive antiques stores. ….their oeuvre exudes light irony and feeds on the observation of children’s games and wishes, which have made themselves at home in the adults’ heads and have no desire to leave…In their large projects, the Florenskys show objects, paintings, photographs, drawings, silk-screens, blueprints, films (a mix of animation, documentary, and feature films). Her prints are in the collections of the V&A Museum, London



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    Olga Florensky. Let’s Go

    £416.67

    Olga Florensky (b. 1960) who works in duo with her artist husband Alexander Florensky is a headliner of numerous exhibitions, key member of the group Mitki. She lives and works in St. Petersburg and Tbilisi. ‘Florenskys’ works are kept in dozens of museums around the world. For over twenty years, they have been making impossible objects and other equally wonderful things. Their objects are incredibly organic coalescences of found objects of various kinds – sometimes ones that have lived at home for a long time, sometimes ones found on the trash heap, sometimes bought at an expensive antiques stores. ….their oeuvre exudes light irony and feeds on the observation of children’s games and wishes, which have made themselves at home in the adults’ heads and have no desire to leave…In their large projects, the Florenskys show objects, paintings, photographs, drawings, silk-screens, blueprints, films (a mix of animation, documentary, and feature films). Her prints are in the collections of the V&A Museum, London



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    Olga Florensky. Our wives are our loaded cannons

    £416.67

    Olga Florensky (b. 1960) who works in duo with her artist husband Alexander Florensky is a headliner of numerous exhibitions, key member of the group Mitki. She lives and works in St. Petersburg and Tbilisi. ‘Florenskys’ works are kept in dozens of museums around the world. For over twenty years, they have been making impossible objects and other equally wonderful things. Their objects are incredibly organic coalescences of found objects of various kinds – sometimes ones that have lived at home for a long time, sometimes ones found on the trash heap, sometimes bought at an expensive antiques stores. ….their oeuvre exudes light irony and feeds on the observation of children’s games and wishes, which have made themselves at home in the adults’ heads and have no desire to leave…In their large projects, the Florenskys show objects, paintings, photographs, drawings, silk-screens, blueprints, films (a mix of animation, documentary, and feature films). Her prints are in the collections of the V&A Museum, London



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    Olga Florensky. Stories of Sherlock Holmes

    £375.00

    Olga Florensky (b. 1960) who works in duo with her artist husband Alexander Florensky is a headliner of numerous exhibitions, key member of the group Mitki. She lives and works in St. Petersburg and Tbilisi. ‘Florenskys’ works are kept in dozens of museums around the world. For over twenty years, they have been making impossible objects and other equally wonderful things. Their objects are incredibly organic coalescences of found objects of various kinds – sometimes ones that have lived at home for a long time, sometimes ones found on the trash heap, sometimes bought at an expensive antiques stores. ….their oeuvre exudes light irony and feeds on the observation of children’s games and wishes, which have made themselves at home in the adults’ heads and have no desire to leave…In their large projects, the Florenskys show objects, paintings, photographs, drawings, silk-screens, blueprints, films (a mix of animation, documentary, and feature films). Her prints are in the collections of the V&A Museum, London



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    Olga Florensky. Tost to the Ladies

    £416.67
    Olga Florensky (b. 1960) who works in duo with her artist husband Alexander Florensky is a headliner of numerous exhibitions, key member of the group Mitki. She lives and works in St. Petersburg and Tbilisi. ‘Florenskys’ works are kept in dozens of museums around the world. For over twenty years, they have been making impossible objects and other equally wonderful things. Their objects are incredibly organic coalescences of found objects of various kinds – sometimes ones that have lived at home for a long time, sometimes ones found on the trash heap, sometimes bought at an expensive antiques stores. ….their oeuvre exudes light irony and feeds on the observation of children’s games and wishes, which have made themselves at home in the adults’ heads and have no desire to leave…In their large projects, the Florenskys show objects, paintings, photographs, drawings, silk-screens, blueprints, films (a mix of animation, documentary, and feature films). Her prints are in the collections of the V&A Museum, London


  • Phdontosov501

    Philipp Dontsov. Red Work 501

    £333.33

    Philipp Dontsov (b.1972) is a graduate of the Mukhina Industrial Art College in St. Petersburg and uses the materials and technologies of product design and industrial model-making in his paintings, sculptures and installations exploring the interplay of form and light. His Red Works from 2002 are a series of paintings in polymer on aluminium depicting the human body in a photographic idiom – the figures are painted in a hyper-realistic style and the glossy surface of the polymer resembles photographic emulsion. The saturated hues of blue and red are so tonally equivalent that the images seem to shift from positive to negative in changing light or to hover between the two states in a kind of supended animation – perhaps recalling a near-death experience in the artist’s youth when he ‘died’ after a choking accident and was resucitated after thirty minutes. He has gone on to produce some of the series as screen prints – a medium which heightens the images’ luminosity and aura of spirituality. One of this prints is in the collection of the V&A Museum, London



  • PhD502

    Philipp Dontsov. Red Work 502

    £333.33

    Philipp Dontsov (b.1972) is a graduate of the Mukhina Industrial Art College in Saint Petersburg and uses the materials and technologies of product design and industrial model-making in his paintings, sculptures and installations exploring the interplay of form and light. His Red Works from 2002 are a series of paintings in polymer on aluminium depicting the human body in a photographic idiom – the figures are painted in a hyper-realistic style and the glossy surface of the polymer resembles photographic emulsion. The saturated hues of blue and red are so tonally equivalent that the images seem to shift from positive to negative in changing light or to hover between the two states in a kind of supended animation – perhaps recalling a near-death experience in the artist’s youth when he ‘died’ after a choking accident and was resucitated after thirty minutes. He has gone on to produce some of the series as screen prints – a medium which heightens the images’ luminosity and aura of spirituality



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