Editions

Showing 51–60 of 65 results

  • IMG_8070

    Timur Novikov

    £750.00

    The Swan Song of German Romanticism. 1994. Series of 9 sheets. Rhizogram. 29,5 x 41,5. Edition of 100. Timur Novikov founded and led the ‘New Academicians‘ movement that dominated the St Petersburg art scene in the 1990s. In his series ‘The Swan Song of German Romanticism’ from which these prints come, Novikov depicts buildings by Albert Speer. Speer became Hitler’s chief architect for the Third Reich after the Nazi’s gained power in January 1933. Speer held this position until the collapse of Nazi Germany. Novikov produced these prints in Berlin in 1994 during his artist’s residency. He was forbidden to exhibit the work due to political correctness issues in Germany at that time.



  • TNfirtree2000

    Timur Novikov. Christmas Tree. 2000

    £1,000.00

    Timur Novikov founded and led the ‘New Academicians’ movement which dominated the St Petersburg art scene in the 1990s. In the series ‘Horizons‘, from which this print is taken, he revisits the Russian folk motifs in the style of his earlier textile pieces in which he placed small iconic symbols in large fields of flat colour



  • TNdeer2000

    Timur Novikov. Deer. 2000

    £1,000.00

    Timur Novikov founded and led the ‘New Academicians’ movement which dominated the St Petersburg art scene in the 1990s. In the series ‘Horizons‘, from which this print is taken, he revisits the Russian folk motifs in the style of his earlier textile pieces in which he placed small iconic symbols in large fields of flat colour.



  • Timur_Genuine_Russia

    Timur Novikov. Genuine Russia. 1989-2005

    £1,250.00

    Timur Novikov revisits the Russian folk motifs in the style of his textile pieces by placing small iconic symbols (purposefully generalised, reduced and simplistic images) in large fields of flat, often bright, colour. His method of re-arranging, altering and proposing new semantic representation, use of symmetry and a horizontal (more rarely diagonal), division of space, became the new art language, adapting a three-dimensional world onto a flat surface, in a manner resonant of modern computer graphics or ancient hieroglyphics. Made during the perestroika years, the Horizons series reflects the youthful and optimistic spirit of the times whilst demonstrating the artist’s penchant for open perspectives – new possibilities of imagination and vision, the enlarged horizon, the greater hope.



  • HouseSteppe

    Timur Novikov. House in Steppe. 1989-2005

    £416.67

    Novikov revisits the Russian folk motifs in the style of his textile pieces by placing small iconic symbols (purposefully generalised, reduced and simplistic images) in large fields of flat, often bright, colour. His method of re-arranging, altering and proposing new semantic representation, use of symmetry and a horizontal (more rarely diagonal), division of space, became the new art language, adapting a three-dimensional world onto a flat surface, in a manner resonant of modern computer graphics or ancient hieroglyphics. Made during the perestroika years, the Horizons series reflects the youthful and optimistic spirit of the times whilst demonstrating the artist’s penchant for open perspectives – new possibilities of imagination and vision, the enlarged horizon, the greater hope.



  • Novikov-2

    Timur Novikov. Icebreaker. 1987-2005

    £1,083.33

    Novikov revisits the Russian folk motifs in the style of his textile pieces by placing small iconic symbols (purposefully generalised, reduced and simplistic images) in large fields of flat, often bright, colour. His method of re-arranging, altering and proposing new semantic representation, use of symmetry and a horizontal (more rarely diagonal), division of space, became the new art language, adapting a three-dimensional world onto a flat surface, in a manner resonant of modern computer graphics or ancient hieroglyphics. Made during the perestroika years, the Horizons series reflects the youthful and optimistic spirit of the times whilst demonstrating the artist’s penchant for open perspectives – new possibilities of imagination and vision, the enlarged horizon, the greater hope.



  • PenguinesTN

    Timur Novikov. Penguins. Silkscreen. 1989

    £1,083.33

    Timur Novikov revisits the Russian folk motifs in the style of his textile pieces by placing small iconic symbols (purposefully generalised, reduced and simplistic images) in large fields of flat, often bright, colour. His method of re-arranging, altering and proposing new semantic representation, use of symmetry and a horizontal (more rarely diagonal), division of space, became the new art language, adapting a three-dimensional world onto a flat surface, in a manner resonant of modern computer graphics or ancient hieroglyphics. Made during the perestroika years, the Horizons series reflects the youthful and optimistic spirit of the times whilst demonstrating the artist’s penchant for open perspectives – new possibilities of imagination and vision, the enlarged horizon, the greater hope.



  • Timur_Sun

    Timur Novikov. Sun. 1989

    £1,000.00

    Novikov revisits the Russian folk motifs in the style of his textile pieces by placing small iconic symbols (purposefully generalised, reduced and simplistic images) in large fields of flat, often bright, colour. His method of re-arranging, altering and proposing new semantic representation, use of symmetry and a horizontal (more rarely diagonal), division of space, became the new art language, adapting a three-dimensional world onto a flat surface, in a manner resonant of modern computer graphics or ancient hieroglyphics. Made during the perestroika years, the Horizons series reflects the youthful and optimistic spirit of the times whilst demonstrating the artist’s penchant for open perspectives – new possibilities of imagination and vision, the enlarged horizon, the greater hope.



  • Timur_Marine_Sun

    Timur Novikov. Sunrise over the Sea. 1989-2005

    £1,000.00

    Novikov revisits the Russian folk motifs in the style of his textile pieces by placing small iconic symbols (purposefully generalised, reduced and simplistic images) in large fields of flat, often bright, colour. His method of re-arranging, altering and proposing new semantic representation, use of symmetry and a horizontal (more rarely diagonal), division of space, became the new art language, adapting a three-dimensional world onto a flat surface, in a manner resonant of modern computer graphics or ancient hieroglyphics. Made during the perestroika years, the Horizons series reflects the youthful and optimistic spirit of the times whilst demonstrating the artist’s penchant for open perspectives – new possibilities of imagination and vision, the enlarged horizon, the greater hope.



  • Timur_White_Night

    Timur Novikov. White Night. 1989 – 2005

    £1,000.00

    Novikov revisits the Russian folk motifs in the style of his textile pieces by placing small iconic symbols (purposefully generalised, reduced and simplistic images) in large fields of flat, often bright, colour. His method of re-arranging, altering and proposing new semantic representation, use of symmetry and a horizontal (more rarely diagonal), division of space, became the new art language, adapting a three-dimensional world onto a flat surface, in a manner resonant of modern computer graphics or ancient hieroglyphics. Made during the perestroika years, the Horizons series reflects the youthful and optimistic spirit of the times whilst demonstrating the artist’s penchant for open perspectives – new possibilities of imagination and vision, the enlarged horizon, the greater hope.



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