Editions

Showing 41–50 of 65 results

  • Phdontosov501

    Philipp Dontsov. Red Work 501. 2004. Screen print on paper

    £291.67

    Philipp Dontsov (b.1972) is a graduate of the Mukhina Industrial Art College in Saint Petersburg and uses the materials and technologies of product design and industrial model-making in his paintings, sculptures and installations exploring the interplay of form and light. His Red Works from 2002 are a series of paintings in polymer on aluminium depicting the human body in a photographic idiom – the figures are painted in a hyper-realistic style and the glossy surface of the polymer resembles photographic emulsion. The saturated hues of blue and red are so tonally equivalent that the images seem to shift from positive to negative in changing light or to hover between the two states in a kind of supended animation – perhaps recalling a near-death experience in the artist’s youth when he ‘died’ after a choking accident and was resucitated after thirty minutes. He has gone on to produce some of the series as screen prints – a medium which heightens the images’ luminosity and aura of spirituality



  • PhD502

    Philipp Dontsov. Red Work 502. 2004. Screen print

    £291.67

    Philipp Dontsov (b.1972) is a graduate of the Mukhina Industrial Art College in Saint Petersburg and uses the materials and technologies of product design and industrial model-making in his paintings, sculptures and installations exploring the interplay of form and light. His Red Works from 2002 are a series of paintings in polymer on aluminium depicting the human body in a photographic idiom – the figures are painted in a hyper-realistic style and the glossy surface of the polymer resembles photographic emulsion. The saturated hues of blue and red are so tonally equivalent that the images seem to shift from positive to negative in changing light or to hover between the two states in a kind of supended animation – perhaps recalling a near-death experience in the artist’s youth when he ‘died’ after a choking accident and was resucitated after thirty minutes. He has gone on to produce some of the series as screen prints – a medium which heightens the images’ luminosity and aura of spirituality



  • SONY DSC

    SERGEI PARAJANOV

    £2,700.00

    Portfolio of 15 lambda prints scanned from the original collages and film frames of Sergei Parajanov. Produced by White Space Gallery and Parajanov’s Museum, Yerevan, 2012. Edition of 12 in presentation portfolio box with title page and authetification from the Parajanov Museum director Zaven Sargissian. Each photo mounted on card with a stamp, image size 20 x 30 and 30×30 cm. Mount size 50 x 40 cm. All images included in the Mirror and Pomegranate catalogue produced for an exhibition “Mirror and Pomegranate” in 2012



  • Stas makarov St Mark sepia

    Stas Makarov

    £583.33

    Stas Makarov was one of the original members of the ‘New Academy of Art’ in St Petersburg in the 1980s and 90s. This was a group of artists who rejected modernism and mined Russia’s imperial and totalitarian past, sometimes ironically, as well as Hollywood movies, western advertising, kitsch and homoerotica for classical ideals of beauty. Makarov’s ‘Angels of St Petersburg’ series of paintings, hand-coloured photographs and prints captures the faded grandeur of Russia’s imperial capital by focussing on details of architectural ornament and public sculpture.



  • IMG_8056

    Stas Makarov

    £791.67

    Angels of St Petersburg. 2000. Gummipigment print on paper 40 x 60 cm. Unique. Stas Makarov was one of the original members of the ‘New Academy of Art’ in St Petersburg in the 1980s and 90s. This was a group of artists who rejected modernism and mined Russia’s imperial and totalitarian past, sometimes ironically, as well as Hollywood movies, western advertising, kitsch and homoerotica for classical ideals of beauty. Makarov’s ‘Angels of St Petersburg’ series of paintings, hand-coloured photographs and prints captures the faded grandeur of Russia’s imperial capital by focussing on details of architectural ornament and public sculpture. The streaky gummiprint process used here is suggestive of peeling paint, washed-up beauty, or worn out ideals.



  • IMG_8057

    Stas Makarov

    £583.33

    Angels of St Petersburg 2014. Digital print on watercolour paper. 65 x 43 cm. Edition of 10. Stas Makarov was one of the original members of the ‘New Academy of Art’ in St Petersburg in the 1980s and 90s. This was a group of artists who rejected modernism and mined Russia’s imperial and totalitarian past, sometimes ironically, as well as Hollywood movies, western advertising, kitsch and homoerotica for classical ideals of beauty. Makarov’s ‘Angels of St Petersburg’ series of paintings, hand-coloured photographs and prints captures the faded grandeur of Russia’s imperial capital by focussing on details of architectural ornament and public sculpture



  • IMG_8058

    Stas Makarov

    £791.67

    Moscow. 2000. Gummipigment print on paper 56×76 cm. Unique. Stas Makarov was one of the original members of the ‘New Academy of Art’ in St Petersburg in the 1980s and 90s. This was a group of artists who rejected modernism and mined Russia’s imperial and totalitarian past, sometimes ironically, as well as Hollywood movies, western advertising, kitsch and homoerotica for classical ideals of beauty. Makarov’s ‘Angels of St Petersburg’ series of paintings, hand-coloured photographs and prints captures the faded grandeur of Russia’s imperial capital by focussing on details of architectural ornament and public sculpture.



  • Stas Makarov Angels back 2014

    Stas Makarov. Angels of St Petersburg 2014. Digital print

    £583.33

    Stas Makarov was one of the original members of the ‘New Academy of Art’ in St Petersburg in the 1980s and 90s. This was a group of artists who rejected modernism and mined Russia’s imperial and totalitarian past, sometimes ironically, as well as Hollywood movies, western advertising, kitsch and homoerotica for classical ideals of beauty. Makarov’s ‘Angels of St Petersburg’ series of paintings, hand-coloured photographs and prints captures the faded grandeur of Russia’s imperial capital by focussing on details of architectural ornament and public sculpture. The streaky print process used here is suggestive of peeling paint, washed-up beauty, or worn out ideals.



  • TAgagarin

    Tatiana Antoshina

    £1,666.67

    Yuri Gagarin, Belka and Strelka dogs in Space. 2016. Sculpture: plaster, acrylic 40x60x10 cm. Edition of 5. Tatiana Antoshina, b.1956 is a Russian multimedia artist whose work has been exhibited at the Venice Biennale (56th Venice Biennale, State Pavilion of Mauritius, 2015), Moscow Biennale and the Asian Art Biennale. Antoshina’s work has also been the subject of numerous solo shows in Russia and beyond, including ‘Museum of a Woman’ held at White Space Gallery in 2004. This sculpture is currently displayed in Women at Work: Subverting the Feminine in Post-Soviet Russia 



  • IMG_8090

    Timur Novikov

    £1,333.33

    Lost Ideals of Happy Childhood. 2000. Set of 16 lithographs in brown ink on cream paper. Edition of 75. Timur Novikov founded and led the ‘New Academicians’ movement that dominated the St Petersburg art scene in the 1990s. In his series ‘Lost Ideals of Happy Childhood’, from which this print comes, Socialist Realist statuary idealising Soviet childhood is ironically framed with baroque and neo-classical ornament from Russia’s imperial past. These prints are in the collection of Victoria and Albert Museum in London, Prints & Drawings Study Room



WHITE SPACE GALLERY
© 2018 White Space Gallery      Site by Mike Stonelake
Social media & sharing icons powered by UltimatelySocial